16. The Climax (1944). Boris Karloff again as a doctor who wants to keep a woman's voice for his own. Hmm. That sentence didn't come out just right. Anyway, it's suprisingly good if formulaic.

17. The Cat O'Nine Tails (1971). Karl Malden as a blind crossword puzzle creator in an Argento-scripted giallo flick? Who knew? And it wasn't terrible either. I actually would have liked to have seen that character in something else.

18. "Treehouse of Horror V," The Simpsons (1994). My favorite Simpsons Halloween episode, because not only do you get the Shinning but the Time Toaster. Maggie's proclamation, in James Earl Jones' voice, "This is indeed a disturbing universe," is one of the funniest things I have ever seen.

19. The Thing (1982). A classic sci-fi horror flick that we watch every year because it's just brilliant. We watch it all the time and we just caught, this year, some new stuff in seeing it.

20. Tales From the Crypt: Demon Knight (1995). Billy Zane in this is hilarious. "FUCK this cowboy SHIT! You human aren't worth the skin you're printed on!" For a goofy EC-based flick, it seems like a kindler, gentler version of Demons more than an actual Tales From the Crypt episode. But it works.

21. "The Galaxy Being," The Outer Limits (1963). Starring Cliff Robertson, this first episode from the series which involves an electromagnetic alien showing up and inadvertantly causing havoc, lacks any subtlety whatsoever. It positively bellows from the rooftops "TOLERANCE, YOU FUCKERS!" Which is a nice sentiment, but doesn't make for good television.

22. Pulse (2006). This was unmitigated crap. The worst flick I saw this year. I will have to post a full review. It begs to be beaten with a stick.

23. The Wolf Man (1941). Again, as I mentioned previously, I love Lon Chaney Jr. And I get Claude Rains. Rains sells "beating a werewolf to death with a cane" better than anyone else has or ever could.

24. Tower of London (1939). Not really horror, except that we have Boris Karloff as Mord. And Cosette considered the costume design a comedy. But how could I resist Karloff, Rathbone and Vincent Price in a single film?

25. Zoltan, Hound of Dracula (1978). While Pulse is definitely the worst film I watched this year, Zoltan made the least amount of sense.

26. House on Haunted Hill (1959). This is usually my token William Castle film just because it's so wonderfully goofy.

27. Dance of Death (1968). More Karloff, later in his career. And this ending makes little in the way of sense. The credits, when they start rolling, come as a complete surprise, especially since there's still footage playing under them. Very odd.

28. Dawn of the Dead (1978) and 29. Day of the Dead (1985). Obligatory stops on my film festival schedule.

30. Evil Dead 2: Dead by Dawn (1987).

31. Devil Bat's Daughter (1946). I couldn't believe someone made a sequel to this. And it completely retconned the events of the first film anyway, because they probably realized no one would care. Hilarious.

32. Frankenstein (1931).

33. Shaun of the Dead (2004). Ending our festival with the horror comedy classic.

11. Graveyard Shift (1996). Okay, we see the thing's tail caught in the machine. We saw it the tenth or eleventh time you showed us. Would you quit fucking showing us so we can get on with the end of this shitty movie? Thank you!

12. King of the Zombies (1941). I pretty much already wrote about this here , but it was terribly amusing nonetheless. I need to go find more stuff with Moreland in it. He's freaking hilarious.

13. "The Ventriloquist's Dummy," Tales From the Crypt (1990). I just wanted to see Don Rickles and Bobcat Goldthwait in an EC Comics adaptation together. How can you go wrong with that? Answer: you cannot.

14. Dorm of the Dead (2007). Full review is coming on Needcoffee. Stand by.

15. The Mummy (1932). Have to watch this every year because of Karloff. He makes for a great Imhotep.

In addition to my already existing reading of "The Tell-Tale Heart," here's two more bits by Poe that I recorded simply because no one was here to stop me.

"The Haunted Palace"

"The Facts in the Case of M. Valdemar"

Let me know what you think.

Some of you might have noticed, apart from the virtual server apocalypse, that we've gone back to a Google Adsense banner in the header of Needcoffee. For a while there we had a Project Wonderful banner. Well, I had promised earlier to let you know about my experience, and Mark over at Weblog Tools Collection jogged my memory.

Project Wonderful is a pretty nifty idea. You offer up ad space. People bid on said ad space. Highest bidder wins the use of that ad space.

There's other detail bits in there, but that's the gist. No click throughs…they're paying for ad space, which is what needs to happen anyway. If somebody puts up a billboard, they have no way of tracking how many eyes saw it. You can't clickthrough a billboard. So it's pretty much that simple.

Now…I agree with Mark Ghosh's post. The setup is easy. Once you've got them in place, there's little to do but any approvals you've set yourself up for. It doesn't clash with any Adsense you've already got in place. You can divide up ad space into smaller bits, like Ectoplasmosis does on their blog, for example.

There are some things I don't get. Mark says that the ad setup and code generation is confusing. I don't get that. It seemed pretty easy to slap together.

However, the site is slow. And there aren't a lot of advertisers, from what I can gather.

I had a banner across the top of my site and a skyscraper down below the fold. However, the deal is that after two weeks I was making less money off of the Project Wonderful banner than I was off of Google Adsense.

Now, perhaps when there's a better group of advertisers who want to buy the space, they'll be in better shape. And I've still got the skyscraper so I can keep my toe in the pool, so to speak. So we'll see. I like the concept well enough, I think they just need to evolve it a bit.

6. Jess Franco's Succubus, 1968.

They billed this as erotic horror. Trouble is, it's neither erotic nor horrifying. Perhaps the utter waste of time would be horrifying to some. And unless you find incomprehensible cinema stimulating, you won't find this erotic in the least. One bit with mannequins is creepy, but in a film that seems to be filled with random crap, it's one dull spark amongst the dung.

7. Black Christmas, 1974.

Supposedly the first slasher flick, it's amazing that there was ever a second. This is garbage. You do have a cast with Margot Kidder, Andrew Martin, John Saxon, Olivia Hussey and Keir Dullea (looking somehow wrong in his long hair), but they have precious little to do. When there are times when they emote, it's mostly to fill time because the WTF-ness can't possibly fill the entire running time. I'm not going to call this a spoiler, but I am going to give you an example of how goddamn stupid the film is. Girl dies in a sorority house. Her body's in the attic. Propped up in a chair. Right in front of a window. That's clearly visible from the street. So when she goes "missing," okay, fine, you would assume that civilians might not think to check the house. But even when the cops get involved, nobody decides to actually check the sorority house for the girl. Ever. During the whole film. Sweet Jebus, this is a dumb damn flick.

8. The Frighteners, 1996.

A truly goofball horror film from Peter Jackson and WETA, the introduction to the director's cut is interesting in that it explains how Lord of the Rings, in a sense, was just a way to use computers they had already bought for something besides Frighteners. The effects hold up surprisingly well, even over ten years later.

9. "Fog Closing In," Alfred Hitchcock Presents, 1956.

Probably the most interesting bit about this is that Hitch delivers a epilogue where he explains how the wicked person got their just desserts in the end. I think this is back when they had to do that shit lest somebody think that crime actually paid or something.

10. April Fool's Day, 1986.

Call me crazy, but I just have a soft spot in my heart for this flick. I appreciate how it took the slasher genre and gave it a nice light hearted boot to the buttocks.

1. "Where is Everybody?", The Twilight Zone, 1959.

Ah, the classic Twilight Zone. The Definitive Collection was a birthday gift to myself. We needed to start somewhere, so the first episode seemed like a good place. Although for some reason, I had always thought "Nothing in the Dark" with Robert Redford was the first episode. I don't know where I got that from. But that was actually from the third season. And Ken thought "Occurrence at Owl Creek Bridge" was it, but that wasn't until Season 5. So we're all mixed up. They still hold up, though. The bit with the mirror is fantastic.

2. Dracula, 1931.

A perennial for the Film Fest, I still haven't figured out what's up with the opossum and the armadillos, although they do explain them (if I remember correctly) in the commentary for the most excellent Legacy Collection edition.

3. The Frozen Ghost, 1945

I just love Lon Chaney, Jr. I really do. He just seems like a big (well, no, he is big), likeable guy. The kind you'd want to buy a cup of coffee. It's funny–I thought just now that he would make the perfect Lennie–and he apparently was the perfect Lennie in 1939. I need to go find a copy of that. Anyway, these Inner Sanctum movies are just a great time. And as for Martin Kosleck, is it just me, or was he one of the prototypes for Campbell Scott in The Impostors? Also, how do we know Chaney is cool?

*SPOILER – swipe to see* Because not only does he save the day, but he gets his old girlfriend back and picks up another young lady for his troubles. As the three of them happily march out of the museum at the end, you can't tell me that's not what's up there. Lucky bastard.

What's going to be very funny is that in a few months when I change the theme of the site, the background probably won't be black, and so that will stick out like a sore thumb. Oh well.

4. "The Ripper," Kolchak: The Night Stalker, 1974.

Although he's probably best known to folks of my generation as the Old Man in A Christmas Story, McGavin as Kolchak just rocks. The character is the perfect cynical goofball. He goes after the Ripper in all seriousness, trying to dispatch the bastard–and you buy it. But he also gets arrested in a humorous situation trying to hide and setup watch for the Ripper–and you buy that too. In fact, he makes you believe that you could have somebody like the Ripper running around and getting perforated and still ticking–and that nobody could see it but for him. What a great show, and Moonstone's continuing adventures of Kolchak are actually pretty dead on.

5. The Creature From the Black Lagoon, 1954.

The thing that strikes me now, rewatching this, is how much of this film lacks dialogue. Anytime you're underwater, they're in the old school aqualung gear, so dialogue can't happen. Such a heavy reliance on the film score and the fact that the Creature still looking pretty good (especially when submerged). This is a Legacy Collection edition as well, and I haven't watched the bonus bits to see if they take you through the suit itself (which is pretty impressive for the time, I would think), but I need to do that.

Next…Succubus from 1968.

So, Ken sent me this.

And while I absolutely agree in the concept of equal time for all candidates, I think the solution to this is to give exactly what is called for: equal time.

Comedy Central should be willing to provide a timeslot for a satirical talk show that any candidate is welcome to host, as long as he does so in character.

Same thing with Fred Thompson. Any candidate should be given a show on NBC where they play a D.A. There's enough cop shows where this would be possible. Hell, you could almost do that with Law & Orders.

See? Problem solved. Somebody pay me.